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Mirjam Bruck internalizes in her art works the presence of an Arab settlement, a physical, political and
cultural presence, and she does it through city plans, not only of Arab towns, but also of Jewish towns like
Ashqelon, Tirat Hacarmel, and Ir-Vradim. She opens a dialog after she exposed her own position as a refugee.
She shares the pain of her identity, shares the pain of their identity.
Galia Bar-Or Acknowledgements - Thanks to Mirjam Bruck-Cohen, to Haim Maor, who curated the exhibition with sensitivity and friendship, thanks to the Bruck family, who helped in the preparation of the exhibition, the catalog, and the exhibition opening, and to the staff of the Museum of Art, Ein Harod. |
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